Neu in Version 14.1 Kontakt Impressum Hinweise

Colour Correction Filters


V 2.2



Conversion to Orange

Nr Farben Name Farbe Live Verwendung

204 Full C.T. Orange   Converts daylight (6500K) to tungsten light (3200K).
205 Half C.T. Orange   Converts daylight (6500K) to tungsten light (3800K)
206 Quarter C.T. Orange   Converts daylight (6500K) to tungsten light (4600K).
207 Full C.T. Orange + 3 ND   Converts daylight (6500K) to tungsten (3200K) and reduces light 1 stop.
208 Full C.T. Orange + 6 ND   Converts daylight (6500K) to tungsten (3200K) and reduces light 2 stops.
223 Eighth C.T. Orange   Converts daylight (6500K) to tungsten light (5550K).
285 Three Quarter C.T. Orange   Converts daylight (6500K) to tungsten light (3600K).
441 Full C.T. Straw   Converts 6500K to 3200K - daylight to tungsten light with a yellow bias.
442 Half C.T. Straw   Converts 6500K to 4300K - daylight to tungsten light with a yellow bias.
443 Quarter C.T. Straw   Converts 6500K to 5100K - daylight to tungsten light with a yellow bias.
444 Eighth C.T. Straw   Converts 6500K to 5100K - daylight to tungsten light with a yellow bias.
604 Full C.T. Eight Five   Converts Daylight (6500K) to Tungsten light (3200K) with a red bias. Creates an orange effect similar to sodium when used on Tungsten.
A204 Full C.T.O. Acrylic Panel   Converts Daylight to Tungsten
A205 Half C.T.O. Acrylic Panel   Converts Daylight to Tungsten
A207 Full C.T.O. + 0,3ND Acrylic Panel   Converts Daylight to Tungsten and reduces light 1 stop.
A208 Full C.T.O. + 0,6ND Acrylic Panel   Converts Daylight to Tungsten and reduces light 2 stops.
LD204 Glass Full C.T. Orange   Can be used as a warm amber colour or for warming up a cool light source.
LD205 Glass Half C.T. Orange   Can be used as a warm amber colour or for warming up a cool light source.
LD206 Glass Quarter C.T. Orange   Can be used as a warm amber colour or for warming up a cool light source.


Conversion to Blue

Nr Farben Name Farbe Live Verwendung

200 Double C.T. Blue   Converts tungsten (3200K) to daylight (26000K)
201 Full C.T. Blue   Converts tungsten (3200K) to photographic daylight (5700K).
202 Half C.T. Blue   Converts tungsten (3200K) to daylight (4300K).
203 Quarter C.T. Blue   Converts tungsten (3200K) to daylight (3600K).
218 Eighth C.T. Blue   Converts tungsten (3200K) to daylight (3400K).
281 Three Quarter C.T. Blue   Converts tungsten to daylight.
LD201 Glass Full C.T. Blue   Converts Tungsten to Daylight. Can also be used as a cool blue colour.
LD202 Glass Half C.T. Blue   Converts Tungsten to Daylight. Can also be used as a cool blue colour.
LD203 Glass Quarter C.T. Blue   Converts Tungsten to Daylight. Can also be used as a cool blue colour.


Neutral Density

Nr Farben Name Farbe Live Verwendung

209 0.3 ND   Reduces light 1 stop, without changing colour.
210 0.6 ND   Reduces light 2 stops, without changing colour.
211 0.9 ND   Reduces light 3 stops, without changing colour.
298 0.15 ND   Reduces light 1/2 stop, without changing colour.
299 1.2 ND   Reduces light 4 stops, without changing colour.
A209 0.3 ND Acrylic Panel   Reduces light 1 stop without altering the colour
A210 0.6 ND Acrylic Panel   Reduces light 2 stops without altering the colour
A211 0.9 ND Acrylic Panel   Reduces light 3 stops without altering the colour


Acrylic Panels

Nr Farben Name Farbe Live Verwendung

A204 Full C.T.O. Acrylic Panel   Converts Daylight to Tungsten
A205 Half C.T.O. Acrylic Panel   Converts Daylight to Tungsten
A207 Full C.T.O. + 0.3 ND Acrylic Panel   Converts Daylight to Tungsten and reduces light 1 stop.
A208 Full C.T.O. + 0.6 ND Acrylic Panel   Converts Daylight to Tungsten and reduces light 2 stops.
A209 0.3 ND Acrylic Panel   Reduces light 1 stop without altering the colour
A210 0.6 ND Acrylic Panel   Reduces light 2 stops without altering the colour
A211 0.9 ND Acrylic Panel   Reduces light 3 stops without altering the colour


Arc Correction and Effect

Nr Farben Name Farbe Live Verwendung

212 L.C.T. Yellow (Y1)   Reduces colour temperature of low carbon arcs to 3200K.
213 White Flame Green   Corrects white flame carbon arcs by absorbing ultra violet.
230 Super Correction L.C.T. Yellow   Converts yellow carbon arc (of low colour temperature) to tungsten.
232 Super Correction W.F. Green to Tungsten   Converts white flame arc to 3200K, for use with Tungsten film.
236 H.M.I. (to Tungsten)   Converts HMI to 3200K, for use with Tungsten film.
237 C.I.D. (to Tungsten)   Converts CID to 3200K, for use with Tungsten film.
238 C.S.I. (to Tungston)   Converts CSI to 3200K, for use with Tungsten film.
642 Half Mustard Yellow   Half strength Sodium light effect, designed for use with daylight sources.
643 Quarter Mustard Yellow   Quarter strength Sodium light effect, designed for use with daylight sources.
650 Industry Sodium   Used on tungsten to blend with sodium light.
651 HI Sodium   Used on tungsten to create a High Pressure Sodium look.
652 Urban Sodium   Used on tungsten to create the orange glow associated with Sodium light.
653 LO Sodium   Used on tungsten to create a Low Pressure Sodium look.
741 Mustard ellow   Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.


Fluorescent Correction

Nr Farben Name Farbe Live Verwendung

219 Fluorescent Green   General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.
241 Fluorescent 5700 Kelvin   Converts tungsten to fluorescent light of 5700K (cool white/daylight).
242 Fluorescent 4300 Kelvin   Converts tungsten to fluorescent light of 4300K (white).
243 Fluorescent 3600 Kelvin   Converts tungsten to fluorescent light of 3600K (warm white).
244 Plus Green   Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting. Approximately equivalent to CC30 green camera filter.
245 Half Plus Green   Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting. Approximately equivalent to CC15 green camera filter.
246 Quarter Plus Green   Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting. Approximately equivalent to CC075 green camera filter.
247 Minus Green   Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC30 magenta camera filter.
248 Half Minus Green   Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC15 magenta camera filter.
249 Quarter Minus Green   Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC075 magenta camera filter.
278 Eighth Plus Green   Provides very slight green cast. Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting.
279 Eighth Minus Green   Provides very slight correction. Used on lighting to eliminate unwanted green cast created by discharge light sources on film.


Ultra Violet Absorption

Nr Farben Name Farbe Live Verwendung

226 LEE UV   Transmission of less than 50% at 410nms.


Polariser

Nr Farben Name Farbe Live Verwendung

239 Polariser   Made from 0.006 (150 micron) Triacetate. Reduces glare and reflection when used in conjunction with LEE Polarising Camera Filter.

Quelle: LEE Filters, aec


Tech. Info